Filmmaking for the dome is quite different from the flat screen. There are special considerations in composition, action, lighting, editing, and grading to produce films that really work on the hemispherical screen. Jonathan Bird shares a basic introduction to filmmaking for the unique demands of the dome.
Session organized by the GSCA Innovations Committee for the GSCA 2022 International Conference in Chattanooga, Tennessee. Committee Co-Chairs Michael Daut, Michael Daut Productions; and Christian Fry, CVF Productions. Presenter: Jonathan Bird, Oceanic Research Group.