Shooting and Production

Shooting and Production Presented at the 2024 Filmmaker Symposium Moderators: Phil Streather, Principal Large Format Panelists: Jonathan Bird, Oceanic Research Group Michael Dalton Smith, Wild Imagination Films Sean Phillips, MacLeod Productions  Description: Giant screen films are lauded for their premier images and sound, but how do filmmakers achieve that immersive, you-are-there quality? This session will give you a peek inside the giant screen technical toolbox. We’ll examine creative approaches to capture, lens options, shooting native 3D vs. converting in post, formatting for the dome, and [...]

Shooting and Production2024-10-17T18:57:55+00:00

Camera Assessment Test (2023)

In July 2023, the GSCA Innovations Committee conducted a test to show the strengths of six higher-than-6K-resolution cameras to show filmmakers how each performs in challenging situations. Under the direction of GSCA Innovations Committee Co-Chair Michael Daut and with renowned cinematographer James Neihouse, ASC, serving as director of photography using a wide variety of cameras, lenses, shooting situations, and locations, this test will provide invaluable information to filmmakers as they decide which equipment to use for different types of shoots. This is a follow-up to [...]

Camera Assessment Test (2023)2024-04-02T17:41:00+00:00

Camera Tests

The Background A keystone of the Giant Screen Cinema Association’s (GSCA) strategic plan is to build a pipeline of quality educational and entertaining content. To fulfill that plan, GSCA, through its Technical Committee, has conducted a number of tests in the past four years to help filmmakers capture the best images possible for the giant screen. It started in 2014 with two iterations of Bring Back Our Wide Shots (BBOWS), with the main goal of testing whether images from the latest 4K digital cameras could [...]

Camera Tests2023-12-06T17:58:20+00:00

High-Resolution Camera Shootout

Led by Pawel Achtel ACS of the Innovations Committee and shot by a team of ACS cinematographers, we evaluate the performance of the following state-of-the-art cameras: RED Monstro 8K, ARRI LF, Blackmagic Design 12K, Canon R5, Achtel 9x7. We see each camera’s performance in dynamic range tests, rolling shutter tests, zone charts, resolution charts, and real-world shooting locations. In part two of this session, at a future time when we meet in person, we will see the footage compared back-to-back on the giant screen. The [...]

High-Resolution Camera Shootout2023-12-06T18:03:44+00:00

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Aidan Kelly)

In this breakthrough session, we will look at the capabilities and use cases for flying camera rigs of all shapes and sizes, from the most compact and lightweight drones to large drones that can lift full-size digital cameras, to complete helicopter rigs. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the [...]

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Aidan Kelly)2023-12-06T19:42:11+00:00

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Phil Streather)

In this breakthrough session, we will look at the capabilities and use cases for flying camera rigs of all shapes and sizes, from the most compact and lightweight drones to large drones that can lift full-size digital cameras, to complete helicopter rigs. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the [...]

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Phil Streather)2023-12-06T19:43:10+00:00

Drones and Helicopters: Only the Best Tool Will Fly, Part 2

In this follow up to the Helicopters and Drones session from GSCA's 2021 Virtual Conference, we go in person on the giant screen and look at footage taken from a variety of drones, cameras, and helicopters. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the best results for the type of [...]

Drones and Helicopters: Only the Best Tool Will Fly, Part 22023-12-06T19:56:56+00:00

Drones and Helicopters: Only the Best Tool Will Fly, Part 3

We look at footage taken from a variety of drones, cameras, and helicopters. We discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the best results for the type of shot you are planning to capture. This was presented at the GSCA 2022 International Conference in Chattanooga in September 2022 and is an update [...]

Drones and Helicopters: Only the Best Tool Will Fly, Part 32023-12-06T19:59:42+00:00

Filling the Gap Between Helicopters and Satellites

The advancement of new stabilized gimbal systems has opened a new level of aerial filming, from heights up to 50,000 feet and speeds of 500 mph. Aerial DP Peter Degerfeldt showcases some examples of how this is possible and what benefits a production can have using this unique tool. Buckle up—there will some G forces! Presented by Peter Degerfeldt, Blue Sky Aerial and Specialist Filming, at the Innovations Session during the GSCA 2022 International Conference in Chattanooga. 

Filling the Gap Between Helicopters and Satellites2023-12-06T20:00:49+00:00
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