Resource Categories Production

Navigating the Complexities of the Giant Screen Postproduction Pipeline

Producing a giant screen film is a complicated and intricate process that is made even more challenging, not simpler, by the variety of digital technologies in the production pipeline. In this webinar, our panel of filmmakers, postproduction experts, sound designers/mixers, and distributors will pull back the curtain on the process of preparing a giant screen film for distribution. There are many steps and a multitude of formats that filmmakers must create to accommodate wildly different projection systems that require their own specialized picture and audio [...]

Navigating the Complexities of the Giant Screen Postproduction Pipeline2023-12-06T19:28:52+00:00

New Directions in Giant Screen Films

How do we keep giant screen programming relevant in this digital age? What market trends can inform us about what today’s audiences are seeking? How do we best position our theaters in this new, post-pandemic era? These questions and more will be explored, guided by recent case studies from films such as Mesmerica and Superpower Dogs that reveal the unique power of giant screen cinema to deeply engage and inform audiences. Presented at the GSCA 2021 Virtual Conference Session organizer: Ed Lantz, Vortex Immersion Media Presenters: Jonathan Bird, President [...]

New Directions in Giant Screen Films2023-12-06T19:31:22+00:00

Using VR to Test and Review Content for the Giant Screen and Domes

What do you do if you can't get access to a dome to create content? Or you need a space online to teach a class and you need more than Zoom or other 2D applications can offer? In these days of continuing pandemic-related shutdowns, both VR producers and dome educators have gotten very creative as they reach out to audiences, finding solutions in the virtual world for content creators and educators in amazing ways. Presented at the GSCA 2021 Virtual Conference Presenters: Ruth Coalson, Ruth [...]

Using VR to Test and Review Content for the Giant Screen and Domes2023-12-06T19:32:59+00:00

The Art of the Digital Intermediate

In this informative session, Zachary Peterson and Jonathan Bird walk the audience through the process of DI for giant screen, which includes image processing (sky extensions, noise reduction, etc.) and color grading, with considerations for projection on both flat and dome screens. The presentation uses several scenes from the MacGillivray Freeman film Ireland as examples. Organized by the GSCA Innovations Committee, co-chaired by Michael Daut, Michael Daut Productions, and Christian Fry, CVF Productions. Presenters: Jonathan Bird, Oceanic Research Group Zachary Peterson, MacGillivray Freeman Films Noah [...]

The Art of the Digital Intermediate2023-12-06T19:34:16+00:00

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Aidan Kelly)

In this breakthrough session, we will look at the capabilities and use cases for flying camera rigs of all shapes and sizes, from the most compact and lightweight drones to large drones that can lift full-size digital cameras, to complete helicopter rigs. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the [...]

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Aidan Kelly)2023-12-06T19:42:11+00:00

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Phil Streather)

In this breakthrough session, we will look at the capabilities and use cases for flying camera rigs of all shapes and sizes, from the most compact and lightweight drones to large drones that can lift full-size digital cameras, to complete helicopter rigs. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the [...]

Helicopters, Planes, and Drones: Only the Best Tool Will Fly, Part 1 (Phil Streather)2023-12-06T19:43:10+00:00

Drones and Helicopters: Only the Best Tool Will Fly, Part 2

In this follow up to the Helicopters and Drones session from GSCA's 2021 Virtual Conference, we go in person on the giant screen and look at footage taken from a variety of drones, cameras, and helicopters. We will discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the best results for the type of [...]

Drones and Helicopters: Only the Best Tool Will Fly, Part 22023-12-06T19:56:56+00:00

Drones and Helicopters: Only the Best Tool Will Fly, Part 3

We look at footage taken from a variety of drones, cameras, and helicopters. We discuss the strengths and weaknesses of each category of aerial cinematography gear and identify ideal use cases for each type of rig. With this information you will have a better understanding of which tool to fly that will give you the best results for the type of shot you are planning to capture. This was presented at the GSCA 2022 International Conference in Chattanooga in September 2022 and is an update [...]

Drones and Helicopters: Only the Best Tool Will Fly, Part 32023-12-06T19:59:42+00:00

Filling the Gap Between Helicopters and Satellites

The advancement of new stabilized gimbal systems has opened a new level of aerial filming, from heights up to 50,000 feet and speeds of 500 mph. Aerial DP Peter Degerfeldt showcases some examples of how this is possible and what benefits a production can have using this unique tool. Buckle up—there will some G forces! Presented by Peter Degerfeldt, Blue Sky Aerial and Specialist Filming, at the Innovations Session during the GSCA 2022 International Conference in Chattanooga.

Filling the Gap Between Helicopters and Satellites2023-12-06T20:00:49+00:00

This Might Get Loud

“Sound is 50 percent of this movie-going experience,” says George Lucas, and you will hear why in this session. Award-winning sound designer Tim Archer will introduce new and upcoming location audio recording gear and techniques, with an emphasis on recording extremely loud sounds using high SPL (sound pressure level) microphones and 32-bit float recorders. Experience a high SPL recording of jet engines and other audio highlights on the Tennessee Aquarium’s IMAX sound system and find out how to capture them in the field. Session organized [...]

This Might Get Loud2023-12-06T20:06:26+00:00